Wednesday, September 10, 2008

cat power!



[above picture is one i took in my room and was taken with my FIRST digital cam quite a ways back in 2004. i think my niece got this HK doll at mcdonald's and had two of them so i inherited it gladly!]

A Hello Kitty Moment:

As a little girl my mom used to take us to an expensive dept store in existence in the 80's here called Burdines. they had a section in the girl's clothing dept as i was one of those girls who loved clothes shopping and my mom took me a lot. anyway there was this little clear cubicle shelfing thingie that had all kinds of sanrio stuff which included hello kitty and other faves [some i have a few things from and saved from childhood]- my melody (i think thats the name} and little twin stars. these were all fond childhood characters i loved.

My main feel-good memory is my mom would allow me to pick one little thing from the Sanrio section everytime she took us to that dept store and as a treat she'd buy one item for me. it became a ritual and is a fond sentimental childhood memory.

Then in 2000 i found a Sanrio store in a suburb mall in Illinois, Schaumburg [Woodfield] and started shopping there frequently. I bought a lot of HK stationary/stickers + knick knacks and even had a frequent shopper card.

Everytime I go to Hallmark or Target [in the past 4 yrs] I see tons of HK items i want for me!!
My mom + i also got my niece into HK since a baby and she's got a ton of hello kitty oriented toys, clothing and such including the first CD boombox she was given as a 3 yr old by me and my mom for her birthday which was of course a Hello Kitty CD boombox much like the ones so popular back in the 80's- those Sharp ones- I had one of those and it was pink, the only difference is that it wasnt a hello kitty staple and it only had a tape cassette player as CD was not out back then!!!

Oh, the memories!!

+++

i cut out the following clip from my fashion magazine some years ago back in 2004- i think this is from ELLE. the hello kitty trend hasn't died down since and is as hot as ever to this day. i don't think this is a passing trend either. it only gets bigger and better as the years go by and it is definitely one trend i'd like to pass on to my child should i ever have a daughter :D


it's all about love, peace, + tolerance.







we watched this several months ago and it deserves special recognition and is a film i'd recommend to the whole world to see, wholeheartedly!!!

this was hands down one of our favorite foreign/indie films of this year!

a completely unique twist with artistic and comedic effect on the effects of war/oppression in the middle east [islamic iran] and is about a woman trying to break free from an oppressed country that clearly is oppressive to women. extremely spirited, moving, heartwarming, funny, smart, witty, and utterly admirable. i LOVED this! it touched on so many topics relevant to today and was completely thought provoking.

we watched the making of the film as well and were blown away with the amount of art illustration talent and animation film making talent that the entire cast exhibited and amazed at the many impressive hands that lended itself to this film to make it the success and visual delight that it was. the main character was definitely an inspiration for all women and girls alike- and could be felt no matter what country or world you live in. not only that you laughed and wanted to cry with the little girl who led you across the screen and it was impossible not to become enamored with her, she was just completely adorable.








Tuesday, September 9, 2008

turning japanese.

By the way, I took some pix of the cool gifts my brother got us from Japan late last nite so I could share them here.

Hello Kitty tin can with delicious thin cookies that remind me of fortune cookies with light vanilla creme inside- both jimmy and I gobbled these up and finished them right away. they were unique, nothing like anything we'd ever had before!!














cool authentic bamboo artistic bookmark allister got for me!



below i included the very cute hello kitty pen allister got me along with the other stuff!!



hello kitty pen + bamboo bookmark again:



here's a close up of that pen!






My absolute favorite of the gifts Allister got me was this adorable sweet kitty cat statue/sculpture which he said in a note posted on it that he thought of Noelle and me when he saw it and got it with her in mind. this statue does remind me of my sweet kitty Noelle very much, even the way the statue's expression looks so content. I put this next to the other cute kitty knick knack that Jimmy got for me on an out of town trip that was also bought because it reminded him of noelle and me :) So here are some pix I took of the kitty, and then a few afterwards with both kitties next to each other. the one round and chubby is the one Jimmy got me and the one with eyes closed and tall/thin looks like its stretching was the one from Japan from Allister!!















[allister's noelle kitty is the one in front]

And, below are some adorable, amusing and cute gifts Allister got for Jimmy. We both really liked his choice and taste and I think Allister was right-on in his choices/ and assessment of picking gifts to go with Jimmy's personality :)


the scroll above and below some of the turtle charm which is located inside above scroll.












I found it amusing he chose this blessing scroll with charm from shrine, with a turtle charm since I am always referring to Jimmy as my turtle and like things with turtles on it- have a few things with turtles etc!

sorry if turtle is a bit blurry. i used macro and tried to avoid flash as to avoid glare but metal glares no matter what i do.

And, we both love this very amusing, hilarious and artistic/cutesy sumo wrestler guy statue which weve placed on top of our dvd tower thing, always good for a laugh and its always in the corner of my eye-view and makes me want to giggle!!






-the end



p.s it's going to be a busy week for us this week. our schedule is something like this:

wed- going to tia's for fajitas with coupon, buy one get one free coupon and planning to get passport photo done at walgreens or cvs. reality tv nite with project runway, top design, millionaire or million dollar listing!

thurs- relax at home

fri- jimmy's childhood/hschl/college friend from chicago is coming into town since his parents live here. he's friend is half japanese and is named ken. lives in chi and we see him every yr he comes down and stayed with him in his condo in 2007 when we were in chicago. we are getting together with him and prob going out to a club or bar for music and drinks. i expect to be exhausted that nite with socializing and for it to be a late drunken nite so i must preserve all my energy.

sat- morning- alessi bakery appt for wedding cake

sun. afternoon- appt with florist for finalization of contract, downpayment, final choices etc.

that's all i can think of right now!

ribbon, tulle, floating candles,stones for wedding.

we went to michael's arts + crafts last weekend and got a few things, i wanted to write about what we got for the decor and floating candle bowls. we havent gotten everything necessary yet but got most things and its a start. jimmy wanted to come back later in the month when he gets paid and has more money to spend.

i will share a few pix of items we got:

this pretty ribbon jimmy picked out in the color amethyst which is gorgeous, they didnt have anything that was identical to 'victorian lilac' and jimmy felt this shade of purple was closest. i feel the two can complement each other as wedding reception colors so we bought one spool to see if its the right thing. we put it next to the davids bridal victorian lilac satin fabric swatch to see if it would look fine together. we both think it looks really good. even if not an exact match. we are planning to use this ribbon to tie bows for the little bubble blowers you and i looked at over at michaels months back. we think it would look pretty. we havent bought the bubble sets yet only cos of lack of money + uncertain of how many we need til we sent the invites out and get replies back. they had enough of these bubble sets that we feel we can wait til next month to buy these wedding favors.

IMG_3596 by you.

after getting help with a michael's saleslady and being told she was a wedding coordinator and her marriage anniversary was one day after our soon-to be wedding date- we had adequate help and advice from someone with knowledge as we were like two little lost children in the store, not having a clue what to buy for the fabric/bows to be put along each aisle in center of chapel where i will walk down the aisle and flowers will be pinned to that fabric.

she showed us this, below, which we bought one roll of, for now so we could bring and show to our floral appt this coming wkend as we have to provide what the flowers will go on, for publix florist.

the lady advised we get this ivory wired tulle to tie bows which will be attached to some unwired regular ivory tulle [we will buy this closer to the wedding date as we didnt have the money to do it now]. she also suggested we use floral wire to attach florals to the tulle and fabric etc she advised us to use this gold colored wire which would go nicely with the ivory and since there is some gold in my tiara etc.

the tulle is pictured below + then the floral golden wire to go with it:

IMG_3598 by you.

IMG_3599 by you.

gold wire-

IMG_3603 by you.


we then picked up a few things for the floating candle holders idea for the reception tables:

jimmy tried out a sample of this in one of the glass holders and it looked rather nice and with some pretty colored orchid petals on top, we think it will be rather striking. at least we hope so!

here are these simple ivory floating candles. jimmy got these that were linen scented, cos it was the only one and we didnt realize it had a scent. we are possibly going to not use these candles only because the scent is too strong for me, without it lit, it was bothering my nose, allergies and asthma and he was thinking of putting two floating candles to every bowl and that would be approx eight tables. i think it would highly affect my ability to breathe and would make me sneeze so we have to find another store to buy the ivory floating candles where they might carry UNscented ones rather than scented.


IMG_3600 by you.

we loved these stones which i personally chose to put in the floating candle holder. i found this stone "style" very charming and pretty in color. i liked the earthiness and it has a feel that goes well with all the asian accents our decor seems to be gravitating towards.





IMG_3605 by you.


and, last, we got this floral ivory paper confetti to maybe use on tables for decoration which i saw the first time going to michael's and really liked. i think its pretty if we can find some way to use it at the reception :)


IMG_3606 by you.

Monday, September 8, 2008

comedic folk rock: always good for a laugh.

[a favorite quirky comedy-skit hbo tv show that i loved from this past year. i scanned then uploaded these reviews and pix from two different magazines several months ago. this reminds me i still need to buy the boxset for this show which was really in a huge way- highly amusing]




defining, confining, controlling-we're sinking.

love is:

action and how you treat another.

warmth

praise

respect + worth

pride

honor

glory

sacrifice + self-sacrifice

kindness + compassion

caring + empathy

considerate of others' feelings

sensitivity

validation

enriching + nurturing

comforting + reassuring

listening

sharing

intimacy

compromise

taking turns

trust + honesty

loyalty

self-less

self-restraint

consistent

reliable

dependable

safe

trustworthy

mindful

thoughtful

give + take

paying attention

solidity + unity

permanence

unselfish

putting someone else first before yourself / #1 priority

the ability to be weak - not always strong in front of another

need

commitment

belief + faith in another person beside yourself

connection

truth + sincerity

not wanting the other to hurt

comforting the other when hurt

admitting mistakes + making amends

saying you are sorry and meaning it, without asking or expectation + without feeling 'obligated'

acceptance

accepting someone for who they are

acknowledging anothers feelings, thoughts, ideas, opinions, or hurt and accepting that whether you agree or not.

understanding

trying to see another's point of view outside of your own even if you don't understand or 'get it' and respecting that person and their feelings.

thinking before you speak or act.

love is NOT:

selfish

self-serving

self-absorbed

self-righteous

one-sided or one-way

callous

cruel or un-feeling

insensitive

coldhearted

devoid of feeling

demeaning

close-minded (or deaf)

dishonorable

disrespectful

guilt trips

complaining

stubborn

ignorant of others needs or feelings /shutting your partner out /disconnecting when you feel like it

casual or thoughtless

stingy / held back/ withdrawn

devalue-ing another

diminishing others feelings

downplaying what another feels or needs

trivializing another's feelings and expecting someone else to feel the same as you in all situations of life

degradation

deprivation

desensitization



Wear the grudge like a crown of negativity.

Calculate what we will or will not tolerate.

Desperate to control all and everything.

Unable to forgive your scarlet lettermen.


Clutch it like a cornerstone. Otherwise it all comes down.

Justify denials and grip 'em to the lonesome end.

Clutch it like a cornerstone. Otherwise it all comes down.

Terrified of being wrong. Ultimatum prison cell.


Saturn ascends, choose one or ten. Hang on or be humbled again.


Clutch it like a cornerstone. Otherwise it all comes down.

Justify denials and grip 'em to the lonesome end.

Saturn ascends, comes round again.

Saturn ascends, the one, the ten. Ignorant to the damage done.


Wear the grudge like a crown of negativity.

Calculate what we will or will not tolerate.

Desperate to control all and everything.

Unable to forgive your scarlet lettermen.


Wear the grudge like a crown. Desperate to control.

Unable to forgive. And we're sinking deeper.


Defining, confining, controlling, and we're sinking deeper.


Saturn comes back around to show you everything

Let's you choose what you will not see and then

Drags you down like a stone or lifts you up again

Spits you out like a child, light and innocent.


Saturn comes back around. Lifts you up like a child or

Drags you down like a stone

To consume you till you choose to let this go.


Give away the stone.

Let the oceans take and transmutate this cold and fated anchor.


Give away the stone.

Let the waters kiss and transmutate these leaden grudges into gold.

Let go.

tool



plaintive \PLAYN-tiv\, adjective:

Expressive of sorrow or melancholy; mournful; sad.

Saturday, September 6, 2008

it's how we breathe.

If we train our breathing, we can control our emotions--that is, we can cope with the happiness and pain in our lives. We should practice until we feel this; our practice is not complete until we can see this clearly.



-Buddhadasa Bhikkhu, "Mindfulness with Breathing"




Friday, September 5, 2008

meet me at the palinDrome.

PalinDrome is my latest guilty pleasure and obsession. I check it several times a day and Jimmy and I laugh hysterically over some of the entries and notes received in it. Most people who read it have similar mindsets to us [are democrats] and share the same brand of sarcastic parody styled humor! I've been reading the blog religiously from day one that I was alerted of its existence. Most commenters on there are aware it is a fake, a poke-fun style of blog. Some do seriously believe everything they read and take it as REAL but its not. and other noters are quick to point out to those people that the blog is simply a joke and a site of satire!

I'd love to write comments but dont think I could write anything quirky or clever and witty enough. I think Jimmy wants to start commenting on the site himself but is trying to come up with a clever name. He wants to use the asian guy name in Fargo, the one who is all over Frances McDormand like a perv and is dorky. Palin reminds Jimmy of Frances McDormand's character in Fargo, I think her name was Marge?

ps.

we watched the entire republican convention last nite [and pretty much every nite its been on] via CNN.

we both died laughing at this sign which i just knew would be posted first thing on palindrone blog. i was so right as the person took special time to point out what we had SO noticed last nite. the misspelled sign of MAVRICK in reference to john mccain.

see here:

Awesome convention poster!


Slingplayerscreensnapz0102

second funniest thing was all the big balloons that kept the broadcasters from talking and andrea mitchell got lost and swallowed up by the balloons and couldnt even report. all the reporters from cnn and msnbc were laughing and making jokes on this. chris matthews and keith olbermann [sp?] and the rest of the crew. i wish i had a video clip of that, it was most amusing.

Do Not Come Back.

I read this short story earlier in the year, which moved me to the core. Haunting and chilling - it still sticks in my memories. I meant to share this quite some time ago. This is for those with a love of the written word and quality literature. He is an Irish writer known for modern lit, poetry + prose.

Belfast


3 February 1987



Father,



You might have been surprised at my reaction.



I was drying the dishes and listening to some farming programme on Radio Ulster; then I was sitting on the floor-tiles next to the fridge, hearing David's voice on the phone repeating that it was over, that it was all over at last. He was crying- quietly, like everything he does- and that set me off. I shouted through to Jane who was doing her sums in the living-room and she helped me get up from the floor. I told her what had happened, then went over to the writing desk and got my phone book, and rang round the cousins. I finished the dishes later that evening and went to bed. Three large gin and tonics and one of the prescription sleeping pills I've been hoarding meant I passed out almost immediately.



I missed the flurry of snow that fell in the small hours. Jane woke me with a cup of tea at eight the next morning and I went downstairs. I stood in my nightie in the living room, leaning against the sofa and looking out. The whole place had turned white. An occasional car would glide silently past, synthetically bright.



It's been several weeks now. We buried you in your churchyard, and I have talked to you more in these past two months than I had in the last twenty years.



The day after- the day of the snow- I drove over to David's with tray-bakes from the freezer and umpteen sandwiches. I'd sent Jane to the shop for two loaves and stood in the kitchen making rounds of ham and tuna and egg and cheese, unable to stop. There is a refuge in small acts of the domestic. Jane packed the sandwiches in Tupperware boxes, and kept making pots of tea. Jane knew enough to know your death was something very serious, and she became a little darling, docile, obedient, her anti-self. You know about children and death of course. We were always meek and invisible when you came in from taking a funeral. At your key-scrape and boot stamp we'd stop talking or laughing or messing around and scurry off to our rooms to read or whisper.



I began talking to you on the drive to David's. I wanted to tell you what I was thinking. I was remembering the story of how you first came here, to the north, on the train up from Cork when you were eleven. It was in 1920 or '21. Your father had started getting letters- Telling him and all the other Protestants to get out of Ballydehob. He'd sold up the farm and taken all twelve children, most of his livestock- the horses and long-horned cattle- on the train up to Armagh. It was night when you reached the county. There was some confusion- at Hamiltonsbawn, was it, or Poyntzpass- and the family had disembarked quickly, unloaded boxes and furniture frantically, dropped the ramps from the cattle-cars and led the animals down onto the platform. The train pulled away and your father realised they'd got off too soon, several stops too soon, and were not in Mountnorris but the middle of nowhere. A farmer, who happened to be passing, took the whole lot of you in. I grew up best friends with that farmer's granddaughter Mary. You liked her. She teaches physics at a university in Seattle now, and lives there with her third husband.



To be honest, I prefer talking to you dead. I couldn't have mentioned to the living you that Mary has been married three times; you would have frowned and talked of absolutes, of sanctity, of the perverted mind of man, of the enemies of the Gospel.



Oh, the enemies of the Gospel! That glamorous list could go on for ever. Ireland, Britain, America, Muslims, Papists, Dancing, Liquor, Sodomites, Drugs, Disrespect, The Government, The Television, Portrush, Literature, Mum, David, Me.



The funeral was, as you would have expected, gigantic. The church couldn't take everyone. Your entire flock and most of the town huddled in pews or outside in great coats and scarfs and gloves. The church doors were kept open so the service could be heard in the car park; the draught blew straight up the aisle to your coffin.



And you may be gladdened to know I wore a hat in the church: I had to borrow one of mother's. Throughout, she was calm. She seemed to drift into the rooms of the manse: she had somehow straightened up, and looked taller.



Grief is a strange thing. It's sudden, localised in pockets like the snow I'd come upon weeks after, out walking the back lanes. Something always survives the thaw, lying out of reach in a hedgerow's ditch or the divot left by a wind-felled tree. The sudden whiteness was wounding.



I was pulling warm clothes from the tumble dryer yesterday, and I thought about you. Last week when they came to deliver the coal, the same thing happened. The lorry driver had pomade in his fine greay hair, and you could see the tracks of the comb still in it, just like in yours.



It's not that I've forgiven you. Don't, for heaven's sake, think that. It's just I understand a little now how you were shaped by everything you met.



You were so full of anger. It cackled from you in static electricity. Half the time you flicked on the big light in the living-room, the bulb would pop. Once I watched you press your hand on a man's forehead in a revival tent near Garvaghy. He had come to the front to be saved and after he got off his knees the white imprint of your fingers remained on his temples.



We didn't speak for five years. I don't know what that did to you. Jane will be twelve in three months. You missed her first five years completely. I haven't told her that of course. I almost told you about her father before you died, but in the end you didn't ask, and it seemed too much like dredging up some unexploded shell from an old, superseded war. For the last few months all you did was lie in bed smiling weakly if someone arrived or held your hand or moved your pillow.



It was the most relaxed I've ever felt with you, sitting there. I wanted to ask you about your life, your father, your youth, your faith. I sat there thinking that I had no idea who you were. Not that you knew David and me. You were irritated and bemused by us. You watched us much as Jane and I watch Penny now, the border collie, with some interest and concern but unsure that she's even in the same reality we are.



One day a month or so ago, after Jane had gone to school, I picked up a book she'd left on the arm of the sofa. It was an old St. John's Ambulance manual, and listed the appearances that generally accompany death: breathing and the heart's action cease; the eyelids are half closed, the pupils dilated; the tongue approaches to the under edges of the lips, and these are covered with a frothy mucus; coldness and pallor of surface increase. I couldn't square any of those things with you. There was no way to begin.



I've spent weeks reading around the old religions to try and find some means of imagining what happened to you, where you are, or what you're doing. I've found something in the Upanishads about that moment, the moment we leave. You wouldn't approve. When the person in the eye turns away, and become non-knowing of forms.



I think again of the snow that fell. There is an idea that we go back, when we die, to being part of one thing. Death is a catch being released. I'd like to have talked with you about this. I can imagine the look on your face, a defensive, lipless smile, as if to say, You already know what I think.



Will you do me a favour, father? If you are there, somewhere, go out and find a bit of solitude, in a garden or an empty corridor, and read a fragment of the Upanishads aloud.



He is becoming one, he does not see, they say; he is becoming one, he does not smell, they say; he is becoming one, he does not taste, they say; he is becoming one, he does not speak, they say; he is becoming one, he does not hear, they say; he is becoming one, he does not think, they say; he is becoming one, he does not touch, they say; he is becoming one, he does not know, they say.



When I was a child and would tell you something your first reaction was a kind of wariness. Your responses were judgements. I would like to make you listen now to other ways we've dealt with being human.



How about the Tao, Father, how about that? There, the knowledge of the ancients was perfect, since they were not aware that there were things and so nothing can be added. There, the Fall you preached is different, gradual, a slow taking on of knowledge. The ancients became aware that there are things but not aware there are distinctions, then some became aware that there were distinctions but not aware that there was right and wrong. When right and wrong became manifest the Tao thereby declined. Now, isn't that something? The Tao thereby declined.



A lot of wishy-washy rubbish. You were far too taken with Jesus Christ to think about the other paths. You were in love only once, and not with my mother. With Him. I remember the Sunday Margaret McConnell came to church without her hat. You opened the address by saying, very quietly and sadly, that it was a direct insult to Christ for a woman to come to the House of the Lord without a hat. You quoted St. Paul: a woman should wear a veil on her head because of the angels, and then looked straight at Mrs. McConnell. She was smiling, unperturbed. I was so shocked- shocked that someone would defy Christ, in his own house, and that someone would defy you, and in your church! The devil could choose any instrument he liked, even this silver-haired widow in lilac.



She was my hero.



As it turned out, she was also in the early stages of Alzheimer's; she thought she was wearing a hat. She cried in the car park afterwards, when a church elder took her aside and explained.



You thought you were another John the Baptist, sent here to prepare the people for the return. You talked as if Christ might be arriving for dinner. When I was very young, a freckled nervous thing with pigtails, I thought every knock at the door might be Jesus himself.



And what else? I never told you but back in 1975 Jane's father and I drove to Birmingham, for my interview for a research fellowship. It was just after the IRA bombings and I was heavily pregnant with Jane. We couldn't find anywhere they would let us stay. No Blacks, No Irish, No Dogs.



Well, you know which one of those Jane's father was. And which one was me.



We slept in the car.



You were an idol to me when I was a child. When you fell, you fell completely. You betrayed yourself. There's you on the UTV news, sharing that platform, shaking hands with a loyalist terrorist, endorsing him, smiling. There is more than the fall of the Latin, cadere, between the cadaver and cadence.



And now what? Are you looking down on us? Has your soul been whipped up like a kite into the sun? Are you floating along above, sitting up as in a rowing boat? I think everyone should have to live an afterlife very different from whatever they believed in. That's how it should work.



The Toradja set the dead one's body in a hollowed-out tree trunk. They have a litany for taking leave of a corpse. They say, 'O father, we have put everything for you down here. Stay here. Your dead relatives are coming to keep you company, and among them is also so-and-so, who will tell you what you must do and must not do. As for us, whom you have left, we too have someone whose orders we obey. This is the end of our relationship. This far you have a claim on us as your children but we are making the steps of your house black. Do not come back to us.'



Jane is upstairs on the computer, and Penny is asleep at my feet, stirring inside her separate dream. I hope your hollowed-out boat is passing above, on this bright cold afternoon, and you are trailing a hand in the water. Do not come back to us. Do not come back.



Ruth



++++++++++++++


Nick Laird was born in 1975 in Northern Ireland. He was a scholar at Cambridge University, spent a year at Harvard University as a Visiting Fellow and worked as a lawyer. He is the author of one novel, Utterly Monkey, which won the Betty Trask prize and his first poetry collection, To a Fault, published by Faber, was shortlisted for the Forward Prize [Best First Collection]. He ahs received several prestigious awards for both poetry and fiction, including the 2005 Rooney Prize for Irish Literature. His poetry and reviews have appeared in The Times Literary Supplement, Poetry Review, and The London Review of Books. He published a second poetry collection with Faber, On Purpose, in August 2007. He lives in Rome.

.the map is not the territory.

The map is not the territory is a remark by Alfred Korzybski, encapsulating his view that an abstraction derived from something, or a reaction to it, is not the thing itself, e.g., the pain from a stone falling on your foot is not the stone; one's opinion of a politician, favorable or unfavorable, is not that person; a metaphorical representation of a concept is not the concept itself; and so on. A specific abstraction or reaction does not capture all facets of its source—e.g., the pain in your foot does not convey the internal structure of the stone, you don't know everything that is going on in the life of a politician, etc.—and thus may limit an individual's understanding and cognitive abilities unless the two are distinguished. Korzybski held that many people do confuse maps with territories, in this sense.

Korzybski's dictum ("The map is not the territory") is also cited as an underlying principle used in neuro-linguistic programming, where it is used to signify that individual people in fact do not in general have access to absolute knowledge of reality, but in fact only have access to a set of beliefs they have built up over time, about reality. So it is considered important to be aware that people's beliefs about reality and their awareness of things (the "map") are not reality itself or everything they could be aware of ("the territory"). The originators of NLP have been explicit that they owe this insight to General Semantics.









Contents


[hide]



[edit] The map/territory relationship


Gregory Bateson, in "Form, Substance and Difference," from Steps to an Ecology of Mind (1972), elucidates the essential impossibility of knowing what the territory is, as any understanding of it is based on some representation:



We say the map is different from the territory. But what is the territory? Operationally, somebody went out with a retina or a measuring stick and made representations which were then put on paper. What is on the paper map is a representation of what was in the retinal representation of the man who made the map; and as you push the question back, what you find is an infinite regress, an infinite series of maps. The territory never gets in at all. […] Always, the process of representation will filter it out so that the mental world is only maps of maps, ad infinitum.



Elsewhere in that same volume, Bateson points out that the usefulness of a map (a representation of reality) is not necessarily a matter of its literal truthfulness, but its having a structure analogous, for the purpose at hand, to the territory. Bateson argues this case at some length in the essay "The Theology of Alcoholics Anonymous".


To paraphrase Bateson's argument, a culture that believes that common colds are transmitted by evil spirits, that those spirits fly out of you when you sneeze, can pass from one person to another when they are inhaled or when both handle the same objects, etc., could have just as effective a "map" for public health as one that substitutes microbes for spirits.


Another basic quandary is the problem of accuracy. In "On Exactitude in Science", Jorge Luis Borges describes the tragic uselessness of the perfectly accurate, one-to-one map:



In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guild drew a Map of the Empire whose size was that of the Empire, coinciding point for point with it. The following Generations, who were not so fond of the Study of Cartography saw the vast Map to be Useless and permitted it to decay and fray under the Sun and winters.



In the Deserts of the West, still today, there are Tattered Ruins of the Map, inhabited by Animals and Beggars; and in all the Land there is no other Relic of the Disciplines of Geography.



With this apocryphal quotation of Josiah Royce, Borges describes a further conundrum of when the map is contained within the territory, you are led into infinite regress:



The inventions of philosophy are no less fantastic than those of art: Josiah Royce, in the first volume of his work The World and the Individual (1899), has formulated the following: 'Let us imagine that a portion of the soil of England has been levelled off perfectly and that on it a cartographer traces a map of England. The job is perfect; there is no detail of the soil of England, no matter how minute, that is not registered on the map; everything has there its correspondence. This map, in such a case, should contain a map of the map, which should contain a map of the map of the map, and so on to infinity.' Why does it disturb us that the map be included in the map and the thousand and one nights in the book of the Thousand and One Nights? Why does it disturb us that Don Quixote be a reader of the Quixote and Hamlet a spectator of Hamlet? I believe I have found the reason: these inversions suggest that if the characters of a fictional work can be readers or spectators, we, its readers or spectators, can be fictions.



An alternative reason why we are bothered by the conundrum of infinite regress or the conundrum of maps within maps is that we fail to see that the concept of a "map of a map" is the same thing as the concept of a "map of a map of a map." In both cases, the concept is a metaphor for the faculty of reflection. We fail to distinguish that one's capability of reflecting is an enduring perspective and not simply a fleeting act of examining something. Each time I examine myself examining something (or in turn reflect upon my examination of myself examining my examination) I am exercising the same enduring ability. Husserl referred to this ability as the "transcendental ego," the mind's eye or the capability of a human to reflect and abstract. Standing between two mirrors, you will not be fooled by the infinite regress of the reflection of yourself in a mirror within a mirror within a mirror (ad infinitum) precisely because you are able to see (understand) that you are looking at mirrors facing each other and are not looking at an infinite queue of dopplegangers. Likewise characters of a fictional work can be readers or spectators or any other fiction that can be imagined precisely because they are fictions, but the fact that you can reflect upon your ability to examine yourself and your thoughts means you are capable of abstraction and need not suggest that you too are a fictional character in a fictional work.


Neil Gaiman retells the parable in reference to storytelling in Fragile Things (it was originally to appear in American Gods):



One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless. The tale is the map that is the territory.



The development of electronic media blurs the line between map and territory by allowing for the simulation of ideas as encoded in electronic signals, as Baudrillard argues in Simulacra & Simulation:


Today abstraction is no longer that of the map, the double, the mirror, or the concept. Simulation is no longer that of a territory, a referential being or substance. It is the generation by models of a real without origin or reality: A hyperreal. The territory no longer precedes the map, nor does it survive it. It is nevertheless the map that precedes the territory - precession of simulacra - that engenders the territory. (Baudrillard, 1994, p. 1)



[edit] "The map is not the territory"


The expression "the map is not the territory" first appeared in print in a paper that Alfred Korzybski gave at a meeting of the American Mathematical Society in New Orleans, Louisiana in 1931: [1]



  • A) A map may have a structure similar or dissimilar to the structure of the territory...



  • B) A map is not the territory.


It is used as a premise in Korzybski's General Semantics, and in neuro-linguistic programming.



http://en.wikipedia.org/wiki/Image:MagrittePipe.jpg


This is not a pipe. It is "The Treachery Of Images," René Magritte’s 1928-9 painting of a pipe.



The Belgian surrealist artist René Magritte illustrated the concept of "perception always intercedes between reality and ourselves"[2] in a number of paintings including a famous work entitled The Treachery Of Images, which consists of a drawing of a pipe with the caption, Ceci n'est pas une pipe ("This is not a pipe").


This concept occurs in the discussion of exoteric and esoteric religions. Exoteric concepts are concepts which can be fully conveyed using descriptors and language constructs, such as mathematics. Esoteric concepts are concepts which cannot be fully conveyed except by direct experience. For example, a person who has never tasted an apple will never fully understand through language what the taste of an apple is. Only through direct experience (eating an apple) can that experience be fully understood.


Lewis Carroll, in Sylvie and Bruno (1889), made the point humorously with his description of a fictional map that had "the scale of a mile to the mile." A character notes some practical difficulties with such a map and states that "we now use the country itself, as its own map, and I assure you it does nearly as well."


In a sort of counterpoint to Lewis Carroll, the University of Cambridge economist Joan Robinson (1962) emphasized the disutility of 1:1 maps and other overly detailed models: "A model which took account of all the variegation of reality would be of no more use than a map at the scale of one to one."


Korzybski's argument about the map and the territory also influenced the Belgian surrealist writer of comics Jan Bucquoy for a storyline in his comic Labyrinthe: a map can never guarantee that one will find the way out, because the accumulation of events can change the way one looks at reality.


Historian of religions J. Z. Smith wrote a book entitled Map is not Territory: Studies in the History of Religions (1978, University Of Chicago Press 1993 paperback: ISBN 0-226-76357-9).



[edit] References



  1. ^ Alfred Korzybski coined the expression in "A Non-Aristotelian System and its Necessity for Rigour in Mathematics and Physics," a paper presented before the American Mathematical Society at the New Orleans, Louisiana, meeting of the American Association for the Advancement of Science, December 28, 1931. Reprinted in Science and Sanity, 1933, p. 747–61.

  2. ^ Rene Magritte's surrealism to be to illustrate the point that, "perception always intercedes between reality and ourselves". See for example, p.15-16 Visual Intelligence: Perception, Image, and Manipulation in Visual Communication by Ann Marie Barry(bio)



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